No sooner am I back from one journey, am I to be sent on another. As I return to my humble abode I push hard against the door and move the mountain of cascading demos that have fallen through my mail slot. As I’m greeted by my hounds pulling and clawing at my robes, I quickly usher them to calm and deal with their ferocious appetites.
Usually, when receiving a review from Death Prayer nine times out of ten I find myself drifting from one country to another. However, today is different. Today I’m here to review another UK Black Metal act. One that adds another feather to our cap of first-rate British Black Metal bands. Birthed in 2019 Wynter Mysthave been on an upward climb releasing four singles one E.P. and one full-length titled Frore which translates as frozen. Which in itself is a huge achievement due to how many acts Steve Blackwood is attached to. Being part of Annwn, Arcane North, Blood Countess, Cave Dweller, OldCorpse Road and Peasant to name just a few. It’s a wonder he’s not already exhausted. This is certainly not the case.
Three years after the release of “The Burning Spears of Crimson Agony” the once mysterious Lamp of Murmuur manifest into something far wide reaching with a new logo and direction of artwork with latest release Saturnian Bloodstorm
Its important that a first single makes an impact and well, this certainly ticks the boxes as immediately there is clear more relentless direction to this that 2018’sVia Dolorosa showed splashes of and shows that the five years in between have bought forth a heavier darker side which has me intrigued to hear the finished article.
If Irreversible isn’t on your radar right now from this track alone it will only be a matter of time before it is.
Taking inspiration from Tolkien’s Lord of the Rings legendarium, Ghül aims to drape the listener in ritualistic darkness and shadow with first track Where The Shadows Lie from a forthcoming full-length album, and will be one of many songs performed in the Black Speech of Mordor. (more…)
Lone Irish black/death creator Scáth na Déithe returns with third album Virulent Providence
Constructed of two tracks – coming in at just over 40 minutes the album explores the countless manifestations of collective suffering which have been passed down in folk memory since the Great Hunger of the 1840s and explores these horrific and harrowing representations of torment, the spectral figures now eternal keepers of the true trauma and anguish of a people long gone.
Musically the album has sweeping atmosphere, surging darkness which weave well into the black metal elements that are rife throughout and the visceral nature of the vocals add to emotion of the albums subject matter, so much so that after purchasing the album, I too purchased the book The Great Hunger by Cecil Woodham-Smith.